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Homer's Odyssey:

A Printing Journey

Homer’s Odyssey has a long and complicated history. For one, we have no idea when this epic was first created, and that’s due largely to the fact that it was around for centuries as an oral composition that was later written down. Neither date is known for sure, but most scholars date it to the 8th century B.C.E. Likewise, we do not know who Homer is; was he the initial creator of the oral poem? was he the poet who popularized the story? or was he the one who wrote it down? Both mysteries are part of what now is considered the Homeric question, which was debated even in ancient times by the likes of Herodotus and Plutarch. But that interest continued on through to modern times, as can be seen by the long printing history of Homer’s work. Homer’s Odyssey was used in ancient times as a moral story taught to young children; during the Renaissance it was revived as a connection to the past; in the 18th and 19th centuries it was studied by scholars; and in modern days it is influential to various works, and even to the fantasy genre as a whole. The Odyssey is an incredibly important work that has withstood the test of time, and will hopefully continue to do so.

 

Homer’s Odyssey tells the tale of Odysseus, the acclaimed hero of Troy who came up with the hollowed horse that led to the ‘rescue’ of Helen from her captor Paris. However, due to improper religious sacrifice to the god, Poseidon, and subsequent obstacles that appear, Odysseus and his crew spent ten years traveling back home to Ithaca. While facing the monstrous cyclops, Polyphemus, the cannibalistic Laistrygonians, the sorceress Circes, and the entrapping Calypso, Odysseus’ wife, Penelope is being pursued by a large host of suitors who want to take over the throne as they believe Odysseus to be dead. Penelope keeps her suitors at bay through various schemes, namely by promising to make a decision on who she will marry after she completes a shroud for her thought-to-be-dead husband; however, each night she unweaves the progress she had made during the day. During this time, Telemachus, the son of Odysseus and Penelope, goes on his own journey, trying to determine whether or not his father is dead, while also trying to get to know more about his father, as Odysseus left to go to war when Telemachus was just a baby. With the help of Athena, Odysseus’ patron goddess, Odysseus eventually makes it back home, outwits the suitors, and is able to live his life with his wife and son.


In this exhibition proposal, there are 14 editions of Homer’s Odyssey that are presented and come from various New York City special collections. However, only three of these have detailed labels, as those are the ones I will be focusing on. The others do have more information listed in the blog post at the bottom of this website. Additionally, I have included artifactual objects relating to The Odyssey throughout as well as images of and links to my bibliographical sources (on the left of this website), works influenced by The Odyssey (on the right), and modern editions of The Odyssey that I personally collect (at the bottom).

Bibliography

(Enumerative)

O DIVINE POESY / GODDESS-DAUGHTER OF ZEUS / SUSTAIN FOR ME THIS SONG OF THE VARIOUS-MINDED MAN / WHO AFTER HE HAD PLUNDERED / THE INNERMOST CITADEL OF HALLOWED TROY / WAS MADE TO STRAY GRIEVOUSLY / ABOUT THE COASTS OF MEN / THE SPORT OF THEIR CUSTOMS GOOD OR BAD / WHILE HIS HEART / THROUGH ALL THE SEA-FARING / ACHED IN AN AGONY TO REDEEM HIMSELF / AND BRING HIS COMPANY SAFE HOME

VAIN HOPE - FOR THEM / FOR HIS FELLOWS HE STROVE IN VAIN / THEIR OWN WITLESSNESS CAST THEM AWAY / THE FOOLS / TO DESTROY FOR MEAT / THE OXEN OF THE MOST EXALTED SUN / WHEREFORE THE SUN-GOD BLOTTED OUT / THE DAY OF THEIR RETURN

MAKE THE TALE LIVE FOR US / IN ALL ITS MANY BEARINGS / O MUSE

-Opening Lines to T.E. Shaw's The Odyssey of Homer

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Aldus Manutius A Legacy More Lasting tha
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ΟΔΥΣΣΕΙΑ· / Βαζαχομαχία· / ύμνοι·λβ·

VLYSSEA· / Batrachomyomachia· / Hymni · xxxii·

1504

Grolier Club: 08.33 Grolier 1504 v. 2  (not in catalog)

This edition of Homer’s Odyssey, while not technically an incunabula copy (as it was printed in 1504), still supports the quote on the right's argument that The Odyssey was ‘worthy’ enough to be printed by early printers, and by the famous Aldus Manutius of Venice no less! It was purchased by Jean Grolier during his stay in Italy as Treasurer and Receiver General of French Forces, and was then probably sold off as the ransom that freed him from being a prisoner-of-war. While unfortunately not in its original bindings, which probably would have been silk, velvet, or thinly skived goatskin, it is encased in a beautiful 1829 green goatskin with gilt border-and-centerpiece design and Greek turn-ins that was probably bound by Charles Lewis in England. Adding to the beauty of this octavo edition are the gilded edges on all three sides as well as the green bookmark ribbon. The paper is laid with vertical chain lines, and contains a watermark of a square with two circles below it. Foliation is provided only on the recto of the first four leaves within each gathering: the preceding histories of Homer uses numbers while the text itself uses the English alphabet starting from ‘Z’. Additionally, a catchword is included at the end of each gathering. This edition was acquired by the Grolier Club using the Nichols Fund in 1940.

“Studying the subjects of incunabula provides an excellent source as to what topics and authors the first printers thought would be the most popular. For us, the placement of the Homeric text among the other classical authors that were printed in this period is a litmus test of its popularity within this group. One survey of incunabula indicates that there are twenty-five editions of the Homeric text, although the listing here counts nineteen…” (Young, p. 96)

Papyrus Fragment with Text from Homer's Odyssey
Odysseus returning to Penelope,  Terracotta plaque ca. 460–450 B.C.
Statuette of Odysseus under a Ram
Two-handled Cup with Relief Decoration
Siren Tripod Pyxis
 Odysseus pursuing Circe, Terracotta calyx-krater (bowl for mixing wine and water) ca. 440 B.C. Attributed to the Persephone Painter

"And, unlike The Iliad, the title of The Odyssey has entered our language as a word describing an arduous and fantastic journey. Moreover, the arduous and fantastic journey has itself become a hallmark of much of modern fantasy literature, and more generally of adventure literature. Consider the number of fantasy titles that center around quests. Both The Hobbit and The Lord of the Rings are quests (or in the latter case an antiquest) involving arduous and fantastic journeys. So is the tale of Beren and Luthien, the central story in The Silmarillion. Terry Brooks’s The Sword of Shannara is another such quest. So are The Horse and his Boy, The Silver Chair, and The Voyage of the Dawn Treader— three of the seven books in Lewis’s Chronicles of Narnia. And ever book in both of Stephen Donaldson’s Chronicles of Thomas Covenant involves an arduous and fantastic journey. The list is endless." (Dickerson, p. 100)

Eurykleia washing Odysseus's feet, Terracotta plaque ca. 450 B.C.

THE ODYSSEY OF HOMER

1887

The Morgan Library & Museum: Morris 076845-6

THE ODYSSEY OF HOMER

1805

The Morgan Library & Museum: Gordon N. Ray Collection- Double Oversize 146494

These are “the most famous illustrations of the Homeric text [which] were produced in the late eighteenth century by the Englishman John Flaxman” (Young, 121). They were so highly praised that they were used for “editions of Homer for two centuries, and even some current reprints” (Young, 122). This 1805 edition is a bind-up of a number of John Flaxman’s engravings for various ancient Greek works, including Homer’s Odyssey. Unlike the other edition containing Flaxman’s engravings, this is bound like a normal folio, though the pages themselves are to viewed sideways. Also contrasting to the other Flaxman edition, this one is bound in a stunning cover and has gilded edges on all three sides. However, the differences end there: both contain 34 illustrated plates for The Odyssey that show plate marks, they are on very thick woven paper, and contain nor pagination nor foliation.

Really

recommend!!

THE ODYSSEY OF HOMER

1800-1

The Morgan Library & Museum: GNROS1 145993-96

ΌΜΗΡΟΥ ΟΔΥΣΣΕΙΑ

1831

Grolier Club: Mini Coll 14.28 H766 1831 v.2

A miniature edition of The Odyssey that can easily be carried in your pocket!

THE ODYSSEY OF HOMER

TO WHICH ARE ADDED 

THE BATTLE OF THE FROGS AND MICE BY PARNELL;

AND THE HYMNS BY CHAPMAN AND OTHERS

1859

NYPL: Stuart 9327

“Be Homer’s works your study and delight,/Read them by day, and meditate by night,/Thence form your judgements, thence your maxims bring,/ And trace the Muses upward to their spring. --Alexander Pope (1688-1721)” (Young, p. 4)

THE ODYSSEY OF HOMER

ENGRAVED FROM THE COMPOSITIONS

OF JOHN FLAXMAN R·A· SCVLPTOR,

LONDON.

?

NYPL: Stuart 11532

The Odyssey of Homer 

Translated Into English Blank Verse

Volumes I&II.

1872

NYPL: *KL (Homer.Odyssey) c.2

During the early translation of Homer’s works, including his Odyssey, there was much debate on how to stay most faithful to the original Greek. Should translations by strictly word for word, therefore not flowing well in the new language? Or should liberties be taken on word choice, in order to stay true to the meter? Or should both be ignored in favor of ease of understanding by the reader? Because of differing opinions on which method of translation stayed true to the Greek original, a lot of disagreeing and even insulting critiques were made.

THE ODYSSEY OF HOMER

1898

NYPL: Rare Books 09-1898

Unlike Flaxman’s illustrations, these by Moser are not as obviously Odyssey related, nor are they classical in style.

THE ODYSSEY OF HOMER

1900

The Morgan Library & Museum: NRM 131518

Papyrus fragment with lines from Homer's Odyssey ca. 285–250 B.C.
Polyphemus "White-on-Red" Ware pithos with Lid

The Odyssey is such a timeless story not only for its terrifying monsters, rip-roaring action scenes, and wealth of information on Mediterranean geography and legends but also because it involves the irresistible plot line of a worthy hero trying desperately to get back to his city, his family, and his throne. 

(Cartwright)

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THE ODYSSEY OF HOMER

1909 

The Grolier Club: 34.62 O98h 1909 Folio

How could we possibly not attribute every virtue to Homer, when those who have come after him have even found in his poetry all the things he did not himself think to include? Some uses his poetry for divination, just like the oracles of god, while others put forth entirely different subjects and ideas and fit the verses to them, transposing them and stringing them together in new ways. (Plutarch, p. 311)

The blinding of Polyphemos, Terracotta alabastron (perfume vase) 575–550 B.C.

THE ODYSSEY OF HOMER

1931

Pratt Institute: Special Collections Rare Books 095.7 E59H

Alexander Pope’s translation of Homer’s Odyssey, which is written in iambic pentameter couplets, is one of the most successful English translations of all time. Dating from 1725-26, his translation has continued to be used for centuries, as evident by this edition that was printed in 1931, as well as by the other edition included in this exhibition that uses his translation that was printed in 1859.

Archer, probably Odysseus, Terracotta oinochoe (jug) ca. 430–420 B.C. Attributed to the Disney Painter

THE ODYSSEY OF HOMER

1940

NYPL: *KP (Rogers) (Homer.Odyssey of Homer.1940)

Even though this is the most recent edition of Homer’s Odyssey and does not have the same historic sense of awe that the Aldus Manutius’ edition has, I find this to be a beautiful edition. While the dust jacket and coverboards are very simply designed, they are still elegant as they are inversions of each other. Also, I really enjoy the illustrations that head each book. This edition is a 1940 translation by T.E. Shaw [Lawrence of Arabia] written in English prose. It is an octavo copy printed on laid paper with visible vertical chain lines. While there is no foliation, there is pagination which makes sense as foliation falls out of use towards modern times. 

THE ODYSSEY OF HOMER

1935

NYPL: *KP (Rogers) (Homer.Odyssey of Homer.1935)

Works Inspired by Homer's Odyssey

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Modern Editions of Homer's Odyssey

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came from a box of my mom's (?) things from my yiayia's apartment

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Graphic Novel version I bought in Minnesota

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Stunning hardback I got for Christmas 2019 from my aunt.

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'first female translator of Homer's Odyssey' among other firsts; bought from my favorite bookshop (Astoria Bookshop)

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Bought in Glasgow for undergrad courses 

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bought at PA book barn; love the cover

Bought from my favorite library, the Hughes Monroe Library

10

editions!

Pretty editions from Books-A-Million!

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